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Harry Winston president and CEO Frédéric de Narp on a rather familiar red carpet.
The original sketches by costume designer Karen Patch for the film.
A still from the film featuring Kate Hudson and the original necklace.
From left to right: film director John Landis; Guest Senior Curator Prof. Deborah Nadoolman Landis; ...
The original dress and the necklace as they appear in the V&A's Hollywood Costume exhibition, ...
The gala dinner in full swing.
Guest Senior Curator and costume designer Deborah Nadoolman Landis on the gala red carpet.
The red carpet was laid out for an array of film celebrities at the V&A's ...
Harry-Winston-Michelle-Rodriguez
Helena Bonham Carter on the red carpet. The exhibition features a number of costumes worn ...
Gothic director Tim Burton on the red carpet, a variety of costumes from his films ...
A dazzling costume seductively laid out from My Man Godfrey, 1930. Costume designer Travis Banton. ...
A revealing piece from Lady In The Dark, 1944. Costume Designer Edith Head. Courtesy of ...
Milena Canonero's incredible costume for Kirsten Dunst in Marie Antoinette, 2006. Costume designer Milena Canonero. ...
Worn by none other than Elizabeth Taylor herself in Cleopatra, 1934. Costume Designer Travis Banton. ...
A dazzling costume once worn by Marlene Dietrich in Angel, 1937. Costume Designer Travis Banton. ...
Dorothy's iconic dress from The Wizard of Oz, 1939. Costume Designer Adrian. Courtesy of Mrs ...
A wide variety of period costume can be seen at the V&A's Hollywood Costume exhibition.
Communications firm Edelman released its annual Trust Barometer[1] report last week to coincide with the gathering of world leaders at Davos. As the most influential, powerful and wealthy were gearing up for a week of talks focused on the future of capitalism and meeting the global goals, the Barometer provided stark insight into the challenges we face. Fifty-six percent of people believe capitalism does more harm than good.
