Louis Vuitton Voyage Dans le Temps
Louis Vuitton's adventure into high jewellery
began only three years ago but already the famous trunkmaker turned
luxury good purveyor par excellence has opened a jewellery boutique
and atelier in Place Vendôme sitting alongside the traditional big
names in the game. Linking the idea of travel born of their steamer
trunk heritage, all Vuitton's fine jewellery collections so far
are linked to idea voyages. As is fitting, the first
collection was called "L'ame du Voyage" (read more
here) and "La malle aux trésors" and theme
"Les Ardentes" (read more here) all have
been designed by Lorenz Bäumer, who says: "Vuitton likes to
break the rules. This is not traditional jewellery and Vuitton is
very brave to do it."
This collection, that from voyages around the globe to exotic
locations led us back to Paris with the Escale à Paris (
read more here) including the bright and beautiful
Orangerie collection (
read more here) now takes us on a different kind of voyage and
invites us to travel through time as we gaze at its new
jewels that are inspired by both the past and the future.
Five different journeys make up this collection. The first to
catch my eye is the delicate Dentelle Monogram inspired by
Marc Jacobs' catwalk designs that is a delicate and very supple
Victorian lace work collar in gold and diamonds that features the
house's motif of flowers and stars found on their trunks and
leather goods. This theme includes ten pieces and most of
them can be transformed to be worn as say a hair slide or a
bracelet- two in one and handy for the traveller with limited trunk
space. The jewels cleverly feature details from the trunk's
hardware and fastening systems such as the hasps found on the
locks.
Alongside this charmingly quaint creation we are zapped into the
future with brave and innovative use of materials as seen La
Galaxie Monogram choker that also transform into two cuffs. At
first sight this striking piece of jewellery looks like a Belle
Epoque choker but the glossy flashes of blue that punctuate the
diamonds are in fact squares of white gold dipped in blue ceramic
dust. From a distance I mistook the blue for very cabochon
sapphires in rounded-off square shapes.
Look at the 'Flash Forward: du Monogram au
Damier' pieces and you will see that Bäumer goes a step
further with the monogram appearing as a mosaic made of
diamonds and bright strawberry red 'grand feu' enamelling on a
guilloché (engine turned) cuff bracelet. The well defined red and
white motif then seems to disperse into a blurry pixellated chequer
board pattern picked out in diamonds, pink sapphires and spinels,
reminding me of a fading television screen. 'Far out', you may
think, but in fact the effect is created by good old-fashioned
techniques such as enamelling and meticulous gem-setting.
The 'Monogram Infini' designs are more clearly related
to the idea of time and travel and are a very precious and modern
take on the intriguing complexity of the mandala, the Buddhist
symbol for infinity and the universe. Though I doubt a dyed in the
wool Buddhist would be wearing such an opulent interpretation of
this eternal symbol, the effect is mesmerising as a kaleidoscope of
swirling diamonds ripple out from the central 3.82 carat flower-cut
diamond. This is one of Louis Vuitton's special diamond cuts that
yes you've guessed it, is inspired by the Monogram pattern found on
the trunks.
The "Fleur d'Eternité' range combines pearls with
diamonds and a deep green tourmaline to stunning effect. Five
strands of diamond and gold beads are cinched together by the
tourmaline surrounded by a spiralling pattern of diamonds that if
you gaze at long enough you will feel quite trippy.