Cartier’s Coloratura hits the high note

Precious aristocrats of the gem world rub shoulders with interestingly different gemstones in Cartier’s audacious Coloratura high jewels.  

Cartier Yoshino necklace with morganite, opals, tourmalines and pink sapphires from Coloratura collection 2018

Cartier’s crowning achievement of the year is Coloratura, its newest high jewellery collection presented during Paris Couture in early July 2018.  As its name suggests, colour surges through these jewels with stylish bravado.

This bright new look is not entirely a surprise, as over the past decade, Cartier has become increasingly daring in its use of colour stones beyond the safety of the traditional trio of rubies, emeralds and sapphires. But Coloratura marks a new high point in Cartier’s multi-cultural and multi-colour approach to haute joaillerie, the haute couture of jewellery.

Made up of 240 pieces, this collection is ambitious not only in the number of eye-popping bright jewels but in its global scope. Following the gem-hunting travels of the pioneering Cartier brothers on the cusp of the C20th, the jewels are inspired by the colours, moods and shapes of India, the Far East and Africa.

The designs are unquestionably Cartier. The house style is evident in the Art Deco symmetry of the red coral, diamond and onyx of the Orienphonie watch or in the sensual gemstone bead tassels of the Yoshino necklace (main picture). But look again and a sea change is afoot. Like a good mix of guests at a party, the highly precious rub shoulders with the interestingly different. Personalities rarely seen together in the same setting create an effervescent and eclectic atmosphere. Take the Matsuri ring: where you would expect a Colombian emerald to provide the green note in a composition, a fresh mint colour tourmaline shakes things up (below).

An invigorating freshness emanates from the Cartier Matsuri ring in platinum thanks to a 26.20-carat cushion shaped green tourmaline combined with an almost holographic effect of a lattice of onyx and brilliant-cut diamonds.

The Yoshino ring (below) is a glorious coming together of three stones that rarely find themselves together at one gathering: a vibrant pink morganite is flanked by two rainbow-bright opals that in turn are complemented by the softer glow of pink sapphires. 

The unusual combination of a 17.12-carat morganite combined with two fiery opals and  pink sapphires create an exciting kaleidoscope of colour in Cartier’s Yoshino ring.

The magnificent Kanaga necklace (below) strings berry-red spinels into a cascading fringe to re-create the classic red and white duo so beloved of the maison. The look may appear to be Place Vêndome through and through but the inspiration is in fact from the fringed costumes from Mali in West Africa as worn during ceremonial Kanaga mask dances.

Referencing the red fringed tribal costume from Mali in West Africa, the Cartier Kanaga Necklace is composed of rows of spinel beads, orangey pink spinels triangle-shape diamonds as well as the more traditionally shaped baguette and brilliant-cut diamonds.

Like the spontaneous colour bombs that soar through the air to stain revellers with random colour patterns at the Indian Holi Festival the joyous Holika ring is a riot of colour (below). Zesty green chrysoberyls and neon-blue tourmaline beads create a giddy clash of colours around an impressive 15-carat rubellite.

Cartier Holika Ring in white gold with a 15.05-carat cushion- shaped rubellite, blue tourmaline beads, chrysoberyl beads, square-shaped diamonds, brilliant-cut diamonds.

In the same global spirit, the Chromophonia necklace (below) presents a very open-minded approach to the jeweller’s colour palette by fusing the Hindu references of baroque emerald beads with Eastern European folk costume motifs.

Detail of Cartier Chromaphonia necklace and earrings in white gold that fuse both Indian and European influences for a new wave of colour combinations rarely seen in high jewellery. 

With such a dizzying melding of colour, nationalities and backgrounds, Coloratura is one jewellery party that has kicked off with a bang.

 

 

Editor's Pick

The Jewellery Editor is for sale

Help us make the future bright

Since founding The Jewellery Editor in 2010, we have grown our digital magazine to be the number one global source of information and inspiration for fine jewellery and luxury watches.

3,500 articles, 150 videos with over 5 million views and a reach of over 2 million per month on social media later, we have offered unparalleled and highly respected coverage of our sector. However, despite our editorial success, we are financially struggling as an independent publisher.

Entirely funded, owned and run by Christine and Maria in London, we are now looking to sell The Jewellery Editor so that it can continue to grow. As e-commerce becomes a priority in our industry, we believe there is huge potential for engaging editorial content and are seeking a buyer who shares our values and passion so that under their guidance we can give a bright future to the platform and help us grow our business to the next stage.

If you are interested to discuss the above, please contact [email protected]

Alternatively, if you are willing to help, you can donate so that in the meantime, we can continue to publish more interesting content.

Terms and conditions

READ MORE

RECOMMENDED

MOST POPULAR

We use our own and third party cookies to improve your experience and our services. If you continue, we consider that you accept their use. You can get more information on your website at cookies policy.